Tag Archives: Debbie Lee Anthony

GOlive Winchester

GOlive Winchester
GOlive Winchester

GOlive Winchester 2015: Friday, July 24
By Donald Hutera

For decades I was a free-lance arts journalist writing primarily about dance, theatre and live performance for The Times and many other publications and websites. I still follow this career path pretty, I must admit, assiduously. But a couple of years ago the road I’ve been travelling in the arts widened considerably.

In May 2013 George Sallis, the producer of Giant Olive Theatre, made me an offer I couldn’t refuse. Would I, he asked, ever want to curate a dance festival? As I subsequently learnt, one small ‘Yes’ can help shift the direction of your entire professional life. Answering George in the affirmative put a fresh and active spin on all my years of theatre-going and talent-spotting wordsmithery. The result was GOlive, a series of highly eclectic, sometimes challenging yet always engaging evenings that place a spotlight on mainly live and movement-based performances.

GOlive launched in September 2013 at London’s Lion and Unicorn pub theatre, Kentish Town as a marathon of 24 shows in 21 days featuring nearly 100 artists. It’s since been repeated there three times in an increasingly more laboratorial but no less diverse fashion, with works-in-progress shown alongside more finished pieces. Exactly a year later GOlive made its first foray outside of the Big Smoke, playing at the University of Winchester to a small but appreciative invited audience. Having successfully tested the touring waters, we subsequently presented in mid-July 2015 four nights of carefully and deliciously mixed bills at the compact but hugely inviting Burton Taylor Studio run by the Oxford Playhouse.

Chesil Theatre
Chesil Theatre

Now, less than a week later (and on the heels of Just Dance, a Giant Olive production staged at Theatre Royal Winchester) comes a one-off gig at Chesil Theatre. Home of the Winchester Dramatic Society, formed over 150 years ago, this intimate, studio-style 75-seat space is superbly right for GOlive. Here’s why, plus a bit about what adventurous audience members can expect on July 24.

The works I present tend to be short and, invariably, extremely varied in terms of style and content. It’s really a case of an unpredictable but consistently tasty assortment of strong performance flavours slipping onto your tongue one after the other. That’s certainly true of the six gifted artists I’ve invited to be part of GOlive Winchester. Their age range spans close to half a century, all but one is female and the themes each is exploring – as well as the tone in which they do so – cover a lot of creative ground.

Shane Shambhu
Shane Shambhu

First out of the gate is Shane Shambhu. Trained in the classical Indian dance form bharata natyam, Shane is also an experienced actor who has worked with the celebrated company Complicite on their hit show A Disappearing Number. Shane’s solo, which premiered at GOlive London and subsequently toured to Oxford, is a playful, thoughtful and revealing autobiographical lecture-demonstration called ‘My Inside Playground.’ It’s about his relationship to the culture of Indian dance and the traditions with which he grew up as a British-Asian.

Debbie Lee-Anthony
Debbie Lee-Anthony

Debbie Lee-Anthony’s ‘Threshold’ is a contemplative solo reflecting on life at a transitional stage. ‘Gently simmering on the back burner, time passes and new beginnings beckon’ is how Debbie sums it up. This moving, honest and resonant solo also premiered at GOlive London.

Hanna Wroblewski ©Eulanda Shead
Hanna Wroblewski ©Eulanda Shead

Hanna Wroblewski’s compelling, visceral ‘My Heart became this Monster’ uses flesh (and fabric) to uncover what remains beyond words. It’s a thoroughly thought-out but ambiguous dance, difficult for Hanna to perform and potentially hard to watch mainly because she makes herself so physically and emotionally vulnerable in order to do it.

Mara Vivas ©Fenia Kotsopoulou
Mara Vivas ©Fenia Kotsopoulou

After an interval comes Mara Vivas’ Trace,’ an elegant, richly detailed examination of memory and its impact on perception. In it a woman navigates familiar territory, sometimes recalling long-buried experiences… Onstage Mara exudes a fierce, concentrated beauty that renders her solo a small but choice gem amongst the rest of the programme’s jewels.

Hayley Barker
Hayley Barker

The Eastleigh-based dance and performance artist Hayley Barker is a kind of performance miniaturist who uses whatever it takes to put across her ideas. Driven to find new forms of movement via what she calls ‘biographical caricatures,’ Hayley likes to mix reality and fiction. ‘The nothing space’ is a test bed for her latest experiments, and will apparently more abstract for her than usual. I say ‘apparently’ because Hayley’s solo is the bill’s one wild card, meaning that I won’t have seen it myself until on the day it’s shown at Chesil. That’s one of the things I’m willing to do as curator of GOlive. That is, I trust the people whose work I believe in to deliver the goods. This certainly includes Hayley, whose performance the public and I will be discovering together.

Sarah Kent
Sarah Kent

Last but by no means least is the visual arts critic turned feisty, fearlessly frank and funny soloist Sarah Kent (aka Degenerate 15). Sarah will be laying herself on the line in a daring and possibly defiant piece of improvised action-theatre entitled ‘Past Muster.’ Bittersweet rather than sugar-coated, this lithe lady is irresistibly moreish.

There you have it. It is, to my way of thinking, a wonderful roster of unique performers. In the bigger picture I’m something between tickled and thrilled to be bringing GOlive to Winchester, especially to a venue that’s both new to us and has such a venerable history as a place of religion and theatre – each, in its way, a ritual practice that can be good for both the soul and the brain.

GOlive Winchester 2015
When: Friday, July 24 at 7.45pm.
Where: Chesil Theatre, Chesil Street, Winchester SO23 0HU.
Telephone booking: 0333 6600 3366 (booking fee applies to online and telephone sales)
Ticket enquiries only: 07527 471 539.
24-hour info line: 01962 867086.
Doors opens 30 minutes prior to performance.
www.chesiltheatre.org.uk / www.giantolive.com

Donald Hutera writes about the arts for The Times, People Dancing, londondance.com and more. He conducts annual workshops on dance criticism for English National Ballet, broadcasts his views on theatre and dance for Monocle radio and has served as a director and/or dramaturg and press adviser for GOlive and other artists. Additionally he edits The Winchester Guide

GOlive is coming to Winchester!

GOlive
GOlive

The name GOlive is derived from the place of origin of the first festival:  the Giant Olive Theatre in London, located in the heart of Kentish Town at the Lion and Unicorn. GOlive was launched there a year ago this month as a 21-day marathon showcasing the work of 57 individuals or companies (or, tabulated another way, 98 artists altogether). The festival then returned this past spring in a more selective ‘headliners plus special guests’ format. Now it’s back in yet another guise as GOlive/GOlab. The emphasis during this current laboratorial version is on works-in-progress, which means the presence of anyone in the room can potentially influence a show’s future development.  [For the record, the remaining London performance dates are September 13, 14, 15, 19, 20 and 21 at 7.30pm. Admission is by donation (£5 suggested) but all are welcome. Full details available at www.giantolive.com or via Twitter: @GiantOlive and Facebook]

Enough about London! What’s up with GOlive in Winchester? Thanks to a nascent association with the good people at Winchester University, the festival is happily going ‘on the road’ for one night only. The plan is to present five ‘acts’ in two different black box theatre spaces on campus starting at 7pm on September 16. The evening is part of a roster of activities for new students, but anyone who’s interested will be warmly welcome – and, from my perspective, positively encouraged – to attend. I’m both tickled and thrilled that GOlive is, in effect, now on tour (and this without benefit of government or any other form of subsidy aside from the in-kind generosity of the University’s Faculty of Arts).

I’ll close with a thumbnail description of each of the works on offer that evening, and the gifted people who created them. Enjoy reading and, ideally, venturing out to the University campus to actually see the entire show. It’s likely to be a most scintillating night…

Hayley Barker
Hayley Barker

Hayley Barker

Independent movement artist Hayley Barker (also an associate artist at The Point, Eastleigh) creates structured improvisations built imaginatively from real and fictional people/stories.  In the work-in-progress ‘Venus’ (working title) she considers the history of human exhibitions, voyeurism and contemporary pop culture’s obsession with the body. (10 mins approx.)

Mamoru Iriguchi
Mamoru Iriguchi

Mamoru Iriguchi

The designer/performer Mamoru Iriguchi likes using lo-fi, DIY technology to blur actual and virtual realities, usually with an inventively droll sense of humour.  For this edition of GOlive he’ll be testing out nascent ideas, asking what’s live and what (if anything) is eternally fixed… (20 mins)

Twitter:@mamoru_iriguchi

Sarah Kent
Sarah Kent

Sarah Kent

The highly-regarded ex-Time Out visual arts critic turned fearlessly frank and funny soloist Sarah Kent (aka Degenerate 15) lays herself on the line in a defiant piece of action-theatre called ‘No Holds Barred.’ (15-20 mins max)

 

 

Debbie Lee Anthony
Debbie Lee Anthony

Debbie Lee-Anthony

A dancer and choreographer who trained at The Place, Debbie Lee-Anthony is a senior lecturer at the University of Winchester.  Her current focus is solo autobiographical performance.  Taking notions of niceness as a theme, ‘A nice little project’ is a series of intimate danced and spoken vignettes designed to engage, provoke and entertain.  (20 mins)

Nuno Silva
Nuno Silva

Nuno Silva and Sabio Janiak

Multi-talented Nuno Silva (singer, dancer, actor and the fulcrum of Nu Music and Dance) and multi-instrumentalist/composer Sabio Janiak develop further a fusion of contemporary dance, fado (Portugal’s national song style) and electronic/live music first unveiled at GOlive 2013. (15-20 mins)  Twitter: @nnunoev

 

 

 

by Donald Hutera

A Nice Little Project

Rebecca JS Nice previews choreographer Debbie Lee-Anthony’s piece A Nice Little Project.

Debbie Lee-Anthony
Debbie Lee-Anthony

A warm welcome to The Winchester Guide! I’ll be sharing my perspectives from high up on the hill at the university and down to the depths of the cathedral crypt. En route I hope to accomplish two things: uncover historical secrets about medieval Winchester, and discover quirky performances, events and local arts practitioners who are beavering away unnoticed.

The University of Winchester is my second home. Please allow me to introduce it to you as an inviting public space, rather than as a place for rowdy students who keep the city up all night. The Uni hosts an array of seminars (on subjects ranging from medieval history to criminology) and organises international writing conferences. Professional dance companies perform in its studio theatre. The Chapel on campus in particular is an unusual venue; often used for professional theatre, it should be identified with far more than its religious functions. The Chapel was designed by local architects Colson and Son of Jewry Street. It was consecrated in 1881 by The Bishop of Winchester who, quite fittingly, used the text from St Matthew: “A city that is set on a hill cannot be hid”. It’s a motto that we at The Winchester Guide can certainly claim as ours.

Make Every Word Hurt #1 is a night of cabaret-style entertainment to be unveiled in the Chapel on June 26, 6.30-8.30pm, and theoretically ideal for anyone who fancies a glass of wine and some laugh-filled live performance. With any free small-scale event, however, it’s often a punt as to the quality of experience you’ll have. Nevertheless in A Nice Little Project the choreographer/performer Debbie Lee-Anthony promises to question and provoke audiences about a subject anyone can relate to: being nice (or not, as the case may be). She’ll use speech, autobiography, audience contributions and dance to investigate this appealing theme. The intimate setting of the Chapel might well be the perfect environment for Lee-Anthony and her audience to engage in a dialogue, no doubt helped along by a little libation and the light-hearted nature of the work itself.

Debbie animatedly discusses the future of the arts in Winchester, a topic close to her heart as she also lectures at the university. “There are graduates based in the city now,’ she enthuses, “working with Wessex Dance Academy, Integr8 Dance and other project-based performance work who need to be encouraged, nurtured and offered opportunities.” She notes the popularity of festivals such as Winchester Hat Fair, stating that “performances are here all year round but people don’t know about them or aren’t encouraged to come out for them”. This is a gap The Winchester Guide intends to fill, informing our readers of as many outstanding arts events – whether one-off or ongoing, small or large-scale – as we possibly can.

But back to Lee-Anthony. She’s on a high right now, having just won the Senate Learning and Teaching Award 2014 for knowledge exchange at The University of Winchester. In a few weeks she will be attending the Impulse Tanz 2014 in Vienna, studying with Forsythe company dancer Nicole Peisl and ex-Limon dancer Risa Steinbuerg. Lee-Anthony’s passion and drive for performance, and her uncanny ability to connect individually with audience members, makes now a prime time to catch her in performance.

Billed as a pop-up-poetry event by Creative Connections at The University of Winchester, Make Every Word Hurt #1 will be followed the next day, June 27, by a free symposium called Make Every Word Hurt #2 (location: on campus at the Stripe Lecture Theatre, 10am-3pm). Various papers will be given by writers, academics and poets, lunch and coffee will be provided. For more information please email Vanessa.Harbour@winchester.ac.uk

Writer, dance critic, history geek and Winchy lover. Rebecca is a mature student at The University of Winchester studying Choreography and Dance combined with History. After teaching for eight years, she now writes for various publications and blogs about dance and all things arty-farty, whilst drinking copious amounts of tea and day dreaming in Winchester’s many café windows. @rebeccajsnice